![]() Eno Peçi created and staged the 1st and 3rd Act and the ballet director of Die Theater Chemnitz - Sabrina Sadowska was responsible for the 2nd and 4th Act, after Lew Iwanow.įor the Die Theater Chemnitz under the production of Frühlingsrausch in September 24th 2021, he created and staged Daphnis et Chloé under the music composition of Maurice Ravel. ![]() On March 30th 2019, Swan Lake had Premiere for the Die Theater Chemnitz in Germany. Danced by Youth Company of the Ballet Academy of the Vienna State Opera.įor Stanislavsky Nemirovich-Danchenko Music Theatre in Moscow-Russia at 2017, he created Déjà vu. On February 8th 2018 and February 20th 2020 at the Vienna State Opera he did the choreography for the opening ceremony of the Vienna Opera Ball for the Vienna State Ballet and the Ballet Academy of the Vienna State Opera.įor the Open-Air Concert on the grounds of Schönbrunn Palace, Summer Night Concert 2023, Peçi choreographed the Maurice Ravel’s Bolero under the musical direction of Yannick Nézet-Séguin and Vienna Philharmonic. Since 2009 Eno Peçi started his career as a Choreographer:Īt 2013 for Wiener Staatsballett he created Herzblume and at 2017 Petruschka. In 2003 he was appointed Demi-Soloist and in 2009 Soloist of the ballet of Vienna State Opera und Volksoper In 2000 he joined the Ballet of the Vienna State Ballet. He was educated at Ballet Academy of Tirana and at the Ballet School of the Vienna State Opera. For further information please contact NPG Copyright.Was born in Tirana (Albania). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). The National Portrait Gallery respects the artistic and intellectual property rights of others. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified. This website comprises and contains copyrighted materials and works. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. ![]() The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. © Robert McFarlane/Copyright Agency, 2023 In 2017, his staging of Handel's Saul opened the Adelaide Festival, and he became the first Australian to direct a Wagner production at the Bayreuth Festival in Germany. From 2001 to 2005 he was co-director of the Vienna Schauspielhaus, and in 2012 he was appointed the 'Intendant and Chefregisseur' of the Komische Oper Berlin. He won the Olivier Award for Best New Opera Production for Castor and Pollux in 2012, and his many other accolades include being named Best Director at the 2014 International Opera Awards, and the Opernwelt opera director of the year award for 2016. Never shy of pushing creative boundaries or breaking opera tradition, he has directed over 40 operas for companies throughout Europe and Australia including Molière's Tartuffe for the Sydney Theatre Company, Alban Berg's Wozzeck for the Sydney Opera House, Saul for Glyndebourne Festival, Carmen for the Frankfurt Opera, and Macbeth for the Zurich Opera House. He studied Piano and Music History at the University of Melbourne, and then established the Gilgul Theatre Company, which he described as 'Australia’s first professional alternative Jewish theatre company'. 1967), theatre and opera director, directed his first play as a student at Melbourne Grammar School in the early 1980s.
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